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The Royal Marriage Hits A Small Obstruction
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A
rudderless boat carried a young woman named Vienna toward Vienna,
artistically shuffling between high tragedy and a miscarriage of justice by
the deft manipulations of abstract responsibilities and secret algorithms
deeply rooted in the young lady’s profound connection to the boat, which
had been constructed from her childhood bed, then lightly sprinkled with ivy
in the shape of a green piano climbing up a wall and very nuanced in its
evocation of the fading national coal industry, to which the young woman had
been both patroness and whore for over 15 years.
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Meanwhile…
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A keyless piano rolled down a hill, carrying a young man named Vienna away
from Vienna, moving reductively between upward cultural pressure and the
drag of scholarly irritation by the deft manipulation of comfortably spaced
organs and the instant skepticism that clung sporadically to the young
man’s parenthetical devotion to the fleeing piano, which had been
constructed from a Turkish bath he had slept in when he was only a child,
and given unassailable status with the addition of an embedded oboe in the
shape of a rudderless boat pregnant with Napoleon’s Josephine and very
nuanced in its evocation of a rural crossroad full of grey mule slippers.
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Let’s just sit here and wait for the end to arrive.
TO THE SACRAMENTS